Bestand:Bill Hayes as Doug Williams "Days of our Lives" (1976 Columbia publicity photo).jpg

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Beschrijving

Beschrijving
English: Bill Hayes as Doug Williams in Days of our Lives. 1976 Columbia Pictures TV publicity photo.
Datum
Bron ebay: https://www.ebay.com/itm/354011415679 Archive: https://archive.ph/rM92q
Auteur Columbia Pictures Television
Toestemming
(Hergebruik van dit bestand)
English: No permission is required for the following reasons:
  1. This work was published before 1978, without a copyright notice. As such, the opportunity for copyright protection on the photo was forfeited and it entered the public domain.
  2. The source images linked above are mechanical scans of the underlying public domain work. These scans are faithful reproductions of the photograph that do not meet the threshold of originality necessary to assert a copyright interest.

English: This is a publicity still taken and publicly distributed to promote the subject or a work relating to the subject.
  • As stated by film production expert Eve Light Honathaner in The Complete Film Production Handbook (Focal Press, 2001, p. 211.):
    "Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."
  • Nancy Wolff, in The Professional Photographer's Legal Handbook (Allworth Communications, 2007, p. 55.), notes:
    "There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them."
  • Film industry author Gerald Mast, in Film Study and the Copyright Law (1989, p. 87), writes:
    "According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."
  • Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference of cinema scholars and editors[1], that:
    "[The conference] expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements... [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."


Licentie

Dit werk bevindt zich in het publieke domein vanwege het feit dat het in de Verenigde Staten van Amerika werd gepubliceerd tussen 1929 en 1977 zonder enige copyrightvermelding. Tenzij de auteur inmiddels voldoende jaren geleden is overleden is dit werk auteursrechtelijk beschermd in rechtsgebieden die de "regel van de kortere termijn" niet toepassen op Amerikaanse werken, zoals Canada (50 p.m.a.), de Volksrepubliek China (50 p.m.a., m.u.v. Hong Kong en Macau), Duitsland (70 p.m.a.), Mexico (100 p.m.a.), Zwitserland (70 p.m.a.) en andere landen met individuele verdragen. Zie deze Engelstalige pagina voor nadere toelichting.

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Bestandsgeschiedenis

Klik op een datum/tijd om het bestand te zien zoals het destijds was.

Datum/tijdMiniatuurAfmetingenGebruikerOpmerking
huidige versie13 jan 2024 19:42Miniatuurafbeelding voor de versie van 13 jan 2024 19:421.175 × 1.487 (199 kB)PascalHDCropped 8 % horizontally, 7 % vertically using CropTool with precise mode.
13 jan 2024 19:42Miniatuurafbeelding voor de versie van 13 jan 2024 19:421.280 × 1.600 (230 kB)PascalHDfront
13 jan 2024 19:41Miniatuurafbeelding voor de versie van 13 jan 2024 19:411.287 × 1.600 (154 kB)PascalHDUploaded a work by Columbia Pictures Television from https://www.ebay.com/itm/354011415679 with UploadWizard

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